Book 

Kodak 

Exhibition 


BaoKytii  ex 

Kodak 

Exhibition 


PUBLISHED  BY  THE 

EASTMAN  KODAK  CO., 

ROCHESTER,  N.  Y. 


FOREWORD 


Kodak  Exhibition  is  not  intended  as  an  art 
exhibit — but  ratlier  as  an  exposition  of  how  pho- 
tograpliy  touches  every  iiunian  interest.  We  could,  had 
we  so  desired,  have  made  up  a collection  of  pictures 
that  would  have  appealed,  fi’om  their  massing  of  lights 
and  shades,  from  their  subtlety  of  line  and  lighting,  to 
those  who  love  art  for  art’s  sake  alone.  But  for  the 
most  part  Kodakery  appeals  because  it  enables  people 
without  a technical  knowledge  of  photography  and 
without  special  training  along  artistic  lines  to  make  pic- 
tures of  the  things  that  they  themselves  are  interested  in. 

With  a few  exceptions,  the  names  in  this  catalogue 
are  not  the  names  of  those  who  are  known  in  the  art 
world  for  their  photographic  creations.  The  pictures 
were  made  for  the  sake  of  preserving  the  thing  photo- 
graphed— not  with  the  thought  that  it  would  be  a 
picture  deserving  of  salon  honors. 

Yet  these  pictures  are  artistic  because  they  have  the 
greatest  attribute  of  art — simplicity.  They  compel 

interest  because  they  are  pictures  of  things  worth  while 
in  travel,  sport,  adventure  and  in  the  home. 


Book  of  the  Exhibition 


Page  Two 


The  photography  of  to-day  touches  vitally  every 
field  of  human  endeavor,  every  recreation,  and,  most 
of  all  is  it  welcomed  as  the  keeper  of  that  most  cherished 
of  all  stories,  the  story  of  the  home. 

And  so,  although  these  pictures  are  not  common- 
place, they  should  be  looked  upon,  not  as  an  art  exhibit, 
but  as  a portrayal  of  what  the  Kodak  has  done  for 
others  and  what  it  can  do  for  you. 

Photography  to-day  has  come  to  be  recognized  as  a 
fine  art,  witness  the  admission  of  photographs  to  the 
Paris  Salon  ; but  after  all  it  is  in  its  picture  stories  of 
the  things  that  interest  us  that  its  chief  charm  lies.  In 
the  recording  not  only  of  the  unusual  and  the  picturing 
of  our  travels,  but  even  more  in  its  portrayal  of  the 
every-day,  common  places  at  home — in  these  is  the 
true  witchery  of  Kodakery. 

Eastman  Kodak  Company. 


Page  Three 


Book  of  the  Exhibition 


The  Pictures 

Print 

SCREEN  NO.  1.— TRAVEL. 

1. 

The  Lighthouse,  - _ _ 

Chas  I.  Berg. 

2. 

The  Matterhorn,  - _ _ 

3. 

Bullfrog  Lake,  _ _ _ 

Matt.  A.  Wolfskin. 

4. 

Jackson  Park  and  Teton 

Mountains  (Wyoming), 

Sumner  W.  Matteson. 

SCREEN  NO.  2.— TRAVEL. 

5. 

A Holland  Windmill, 

Carl  Osthans. 

6. 

Fishermen’s  Huts  (Norway), 

Amelia  E.  Dein. 

7. 

Cool  Waters  Lave  the  Moun- 

tain’s Feet,”  - - - 

K.  A.  S jarring. 

8. 

Amalfi,  ----- 

W.  E.  Blodgett. 

9. 

Lake  George  (California),  - 

Matt.  A.  Wolfskin. 

SCREEN  NO.  3.— TRAVEL. 

10. 

Moorish  Gateway  (Cordova), 

Mas  tin  Simpson. 

11. 

Shampoo  and  Massage,  - 

Mrs.  H.  W.  Tweedie. 

12. 

Transportation  in  Ceylon, 

Mrs.  R.  Dundas  Orr. 

13. 

Urul)amba  River  (Peru), 

Prof.  Hiram  Bingham 

(Copyright  1912  by  Yale  University) 

14. 

Police  Station  (Batavia,  Java), 

Walter  G.  Chase,M.  D. 

15. 

Cooling  Off  (Ceylon),  - 

Mrs.  EE  W.  Tweedie. 

Book  of  the  Exhibition 


Page  Four 


SCREEN  NO.  4.— TRAVEL. 

I^int 


No. 

16. 

A Wayside  Inn, 

/.  B.  Rich. 

17. 

The  Mail  Train, 

Harry  D.  Snell. 

18. 

Yellowstone  Falls,  - 

H.G'.Wirts. 

19. 

A Country  Home,  - 

J.  B.  Rich. 

SCREEN  NO.  5.- 

'N 

-TRAVEL. 

20. 

Tn  Northern  Italy,  - 

- 

21. 

By-way  in  Fez  (Morocco), 

- 

22. 

Russian  Beggar  Woman, 

- 

SCREEN  NO.  6.- 

-TRAVEL. 

23. 

Sphinx  and  Great  Pyramid, 

Chas.  R.  Cameron. 

24. 

Egyptian  Tem.ple,  - 

Walter  G.  Chase,  M.D. 

25. 

The  Sphinx,  - - - 

Orlando  J.  Root. 

26. 

The  Tourist,  - - - 

Walter  G.  Chase,  M .D. 

27. 

Ships  of  the  Desert, 

Orlando  J.  Root. 

SCREEN  NO.  7.— LANDSCAPES. 


28. 

The  Close  of  Day, 

- 

- 

F.  M.  Audibert. 

29. 

The  Palisades, 

- 

- 

Thos.  Cadigan. 

30. 

The  Brook, 

- 

- 

C.  J.  Brin  dm  ore. 

31. 

A Corner  of  the 

Orchard,  - 

IV.  B.  Cline. 

32. 

November, 

- 

- 

A.  F.  Robinson. 

33. 

Sand  Dunes,  - 

- 

Page  Ftve 


Booh  of  the  Exhibition 


Print 

SCREEN  NO.  8.—LANDSCAPES. 

34. 

Early  Morn  (Lake  Michigan), 

Irz’ing  Dickinson. 

35. 

Cypress  (Monterey.  Cali- 

fornia),  _ - - - 

Philip  S.  Carlton. 

36. 

The  Old  Paper  Mill,  - 

Rudolf  Eickenieycr. 

37. 

An  Afternoon  in  the  Country, 

B.  P.  Langland. 

38. 

Mt.  Lafayette  (White  Moun- 

tains),  - _ - - 

IV.  A.  Bogcr. 

39. 

Skyscrapers,  - 

IV.  //.  Porterfield. 

SCREEN  NO.  9.— LANDSCAPES. 

40. 

Off  for  the  Lobster  Pots,  - 

Grace  E.  Mounts. 

41. 

Palms,  - - - - - 

H.  Marshall. 

42. 

The  Riviera,  - - - - 

Maximilian  Toch. 

43. 

Cap  St.  Martin,  _ . _ 

Maximilian  Toch. 

44. 

Mansion  Sattelmiihle, 

H.  Krebs. 

45. 

In  the  Mountains  (Germany), 

El.  Krebs. 

SCREEN  NO.  lO.—LANDSCAPES. 

46. 

Moonlit  Coast,  _ . > 

Bred  C.  Small. 

47. 

Minnehaha,  - 

Mrs.  C.  G.  Stearns. 

48. 

“Marsh  Farm,”  _ _ _ 

Miss  M.  Kolle. 

49. 

A Cool  Pasture,  - - - 

Lawrence  Macomber. 

50. 

Gnarled  Giant,  - _ - 

Rev.  C.  El.  Martin. 

51. 

Petit  Trianon  (Versailles),  - 

Wm.  H.  Phillips. 

SCREEN  NO.  11.— 

TRAVEL. 

52. 

Bridge  at  Nice  (France), 

Maximilian  Toch. 

53. 

Little  Hollanders,  - - - 

Miss  Caroline  Brown. 

54. 

Michael  Angelo’s  “Moses”, 

El.  P.  Goppelt. 

55. 

Night  (\^enice),  - - - 

Maximilian  Toch. 

56. 

Crossing  a Glacier, 

C.  D.  Arnold. 

Hook  of  the  Exhibition 


Page  Six 


Print 

No. 

57. 

SCREEN  NO. 

12.— TRAVEL. 

Landing  at  Amalfi, 

IVm.  0.  Welch. 

58. 

The  Shrimper, 

Wm.  Martin. 

59. 

Coast  of  Normandy, 

Chas.  I.  Berg. 

60. 

Hans,  - - _ _ 

J.B.  Nichols. 

61. 

Bathers’  Guardians  (Coast  of 

France,  _ _ _ 

A.  P.  Robinson. 

SCREEN  NO. 

13.— TRAVEL. 

62. 

Street  Vender, 

A.  J.  Birdseye. 

63. 

Luz  in  the  Pyrenees, 

H.C.  Hudson. 

64. 

Nature’s  Mirror,  - 

Fred  C.  Small. 

65. 

Delvino  (South  Albania), 

, - Evan  MacRury. 

66. 

In  Italy,  - - - - 

M . M ott  Smith. 

SCREEN  NO. 

14.— TRAVEL. 

67.. 

Amalfi  (Italy), 

A.  J.  Birdseye. 

68. 

The  Stage  Coach,  - 

- 

69. 

On  the  Nile,  - - - 

Orlando  J.  Root. 

70. 

Moors  of  Spain, 

Mastin  Simpson. 

71. 

Morro  Castle  (Havana), 

D.  Vande  Venter. 

SCREEN  NO. 

15.— TRAVEL. 

72. 

Sudanese  Dancer,  - 

Mastin  Simpson. 

73. 

Sicilian  Water  Carrier,  - 

Mrs.  E.  W.  Willard. 

74. 

Mascot  of  the  Beach, 

E.  K.  Jefferson. 

75. 

Fish  Market  (Madeira), 

Wm.  0.  Welch. 

76. 

A Beggar  (Algiers), 

Wm.  0.  Welch. 

77. 

Lucerne  (Switzerland),  - 

Maximilian  Toch. 

78. 

A Canal  of  the  Last  Century,  S.  J,  Milner. 

Book  of  the  ExhlbJtlOQ 


Page  Seven 


SCREEN  NO.  16.— TRAVEL. 

Print 

No. 

79. 

Peasant, 

A.  E.  Swenson. 

80. 

The  Public  Fountain, 

81. 

Near  Lucerne  (Switzerland), 

Mas  tin  Siinpson. 

82. 

A Quiet  Game  (Madeira),  - 

JVm.  0.  Welch. 

83. 

A Sign  of  Spring,  - - - 

84. 

Street  Dairy  (Spain),  - 

Mas  tin  Simpson. 

85. 

Ready  for  Another  Shot, 

J.  Brown. 

SCREEN  NO.  17.— HOME 

PORTRAITS. 

86. 

Gold  Fish,  - - - - 

W.  B.  Cline. 

87. 

The  Monk,  - - - - 

IV.  B.  Cline. 

88. 

Violets,  ----- 

89. 

Flome  Portrait, 

W.  B.  Cline. 

90. 

The  Artist,  - ' - 

A.  D.  Reynolds. 

91. 

Nut-brown  Maid  (Bermuda), 

L.  V.  Hitchcock. 

92. 

Interested,  - 

W.  B.  Cline. 

SCREEN  NO.  18.— HOME 

PORTRAITS. 

93. 

Portrait,  - 

F.  Emerson  Bachelder. 

94. 

Home  Portrait  (Flash-light), 

95. 

Portrait,  - - - _ 

W.  B.  Cline. 

96. 

Portrait,  - - - - 

M iss  Nina  Graves. 

97. 

Portrait,  _ _ _ _ 

Charles  Turpin. 

98. 

Holland  Maid,  - - - 

J.  Brown. 

99. 

Portrait,  - _ . _ 

Pac*  Elgnt 


Book  of  the  Exhibition 


SCREEN  NO.  19.— HOME  SCENES. 


Print 
No. 

100.  The  Cotter’s  Saturday  Night, 

101.  Family  Cares,  - - _ Myra  A.  Wiggins. 

102.  Fire  Place,  - - - - I'.A.Waite. 

103.  Outdoor  Portrait,  - - - 

104.  A Dream  of  the  Boy  Across 

the  Sea,  - - _ _ Rudolf  Eickenicyer. 


SCREEN  NO.  20.— HOME  PETS. 


105. 

Attention, 

- 

- 

106. 

“Shep,”  - 

- 

- 

107. 

Babies,  - - - 

- 

- 

108. 

At  Bay,  - - - 

- 

G.  A.  Rodenbaeck. 

109. 

An  Aristocrat,  ' - 

- 

0.  S.  Newman. 

110. 

Black  Prince, 

- 

R.  II.  Shepherd. 

SCREEN  NO.  21. 

From  the  W anamaker  Collection  of  Pictures  of  North 
American  Indians — Negatives  by  Dr.  J.  K.  Dixon. 

111.  Facing  the  Sunset. 

112.  The  Vanishing  Chiefs. 

113.  The  Sunset  of  a Dying  Race. 

114.  Night  View  of  the  Camp. 


SCREEN  NO.  22. 

From  the  Wanamaker  Collection  of  Pictures  of  North 
American  Indians — Negatives  by  Dr.  J.  K.  Dixon. 

115.  Scouts  on  the  March. 

116.  Climbing  a Western  Slope. 

117.  Stirring  the  Pot. 

118.  Chief  Two  Moons. 


Book  of  the  Exhibition 


Page  Nine 


SCREEN  NO.  23. 


From  the  Wanamaker  Collection  of  Pictures  of  North 
American  Indians — Negatives  by  Dr.  J.  K.  Dixon. 

I’liiit 

No. 

119.  Sweeping  Westward. 

120.  I'riends. 

121.  The  Empty  Saddles. 

122.  Early  Morning  at  the  River. 


SCREEN  NO.  24. 

From  the  Ethnographic  Collection  of  Indian  Photographs — 
By  Frederick  I.  Monsen,  F.  R.  G.  S. 

123.  On  the  Warpath. 

124.  Sculptured  Rocks  (Arizona). 

125.  A Hopi  Elock. 

126.  Indian  Child  and  Dog. 

127.  Mojave  Children. 

128.  Arizona  Indian  Youngster. 


SCREEN  NO.  25. 

From  the  Ethnographic  Collection  of  Indian  Photographs — 
By  Frederick  I.  Monsen,  F.  R.  G.  S. 

129.  Navajo  Chief. 

130.  Canon  de  Chelly. 

131.  In  Hopi  Land. 

132.  Study  in  Bronze. 

133.  Hopi  Children. 

134.  A Hopi  Sage. 


Page  Ten 


Book  of  the  Exhibition 


SCREEN  NO.  26. 


Prom  the  IifhnograpJiic  Collection  of  Indian  Photographs — 
By  P'rederich  I.  Monsen,  P.  R.  G.  S. 

Print 

No. 

135.  In  Sunny  Arizona. 

136.  Hopi  Boys  (Arizona). 

137.  Water  Carrier. 

138.  Filling  the  011a. 

SCREEN  NO  .27.— CHILDREN. 


139. 

Portrait,  _ . - 

- 

140. 

Feeding  the  Ducks, 

- 

141. 

Portrait,  _ . _ 

- 

142. 

Playmates,  - - _ 

- 

143. 

SCREEN 

Home  Portrait, 

NO.  23.— CHILDREN. 

144. 

A Little  Briton, 

- 

Wm.  C.  Hobbis. 

145. 

A'lirth,  - 

- 

Jos.  IV.  Anderson 
M.  D. 

146. 

The  Twins,  - 

_ 

Maude  Teevan. 

SCREEN  NO. 

29.— CHILDREN. 

147. 

A Field  of  Daisies, 

Miss  Myra  Brandt. 

148. 

Little  Jack  and  His 

Sister 

Sue,  - - - 

- 

149. 

Music  Hatli  Charms, 

A.  Jenson. 

150. 

Fairy  Tales,  - 

- 

151. 

The  Little  Gatekeeper, 

Maude  Teevan. 

Page  Eleven 


Book  of  the  Exhibition 


l*rint 

SCREEN  NO.  30.— CHILDREN. 

152. 

The  Botany  Lesson,  - 

Mrs.  H.  IF.  Twccdic. 

153. 

Marguerite,  - - - - 

A.  Jenson. 

154. 

What  O’clock, 

Jos.  IV.  Anderson, 

M.  D. 

155. 

The  First  One  In,  - 

H.  B.  Conyers. 

156. 

Children  of  the  Mountains,  - 

I f '.  T.  Knox. 

157. 

“Come  Chickey,’’  - - - 

SCREEN  NO.  31.- 

-OUTING. 

158. 

Good  Old  Summertime, 

159. 

“Lafe,”  - - - - - 

160. 

Who’ll  Wash  the  Dishes,  - 

Chas.  S.  Price. 

161. 

Bait  Minnows,  _ _ _ 

162. 

Idle  Days,  _ _ _ _ 

SCREEN  NO.  32.- 

■OUTING. 

163. 

Leaving  the  Harbor, 

W.  B.  Cline. 

164. 

Hunter’s  Lodge,  - - - 

Chas.  M . Taylor,  Jr. 

165. 

An  Outdoor  Flashlight, 

Charles  S.  Price. 

166. 

Campfire  Cooking, 

Afiss  Mary  R.  JValdroh 

167. 

River  Spray  (Banff,  Canada), 

Sumner  IV.  MaUeson. 

SCREEN  NO.  33.- 

-OUTING. 

168. 

Landing  a Two  Pounder, 

IB'ank  C.  Barks. 

169. 

Supplication,  _ _ _ 

Frank  C.  Barks. 

170. 

A Good  Catch,  _ _ _ 

Chas.  S.  Price. 

171. 

The  Camp  Kitchen, 

Frank  C.  Barks. 

172. 

Trout  h'ishing  in  Colorado,  - 

Rex  ford  Storer. 

173. 

An  Enthusiastic  Angler, 

Frank  C.  Barks. 

Book  of  the  Exhibition 


Page  Twelvi 


I'rint 

SCREEN  NO.  34.- 

-OUTING. 

No. 

174. 

On  the  South  Platte,  - 

Chas.  S.  Price. 

175. 

A Heavy  Strike,  - - - 

176. 

The  Morning’s  Catch,  - 

177. 

Victor  and  \"anquished. 

178. 

After  Speckled  Beauties, 

Chas.  S.  Price. 

SCREEN  NO.  35.- 

-OUTING. 

179. 

The  Lone  Canoeist, 

180. 

Last  Trip  of  the  Season, 

181. 

With  Started  Sheet, 

U\ B.  Cline. 

182. 

Luffing,  - - - - - 

JVnt.  0.  Welch. 

SCREEN  NO.  36.- 

-OUTING. 

183. 

Homesick,  _ _ _ . 

Fred  C.  Small. 

184. 

Quiet  Waters,  - - - 

185. 

Take  a Kodak  With  You,  - 

Charles  S.  Price. 

186. 

“Far  From  the  Maddening 

Crowd,”  _ - - - 

E.  P.  Crocker. 

SCREEN  NO.  37.— MARINES. 

187. 

The  Incoming  Tide, 

188. 

Whitby  Fishers,  - - - 

189. 

Yarmouth,  - _ _ _ 

SCREEN  NO.  38.—; 

MARINES. 

190. 

The  Cliffs,  - - - - 

191. 

Ramsgate  Boatmen, 

192. 

Volendam  Harbor, 

Book  of  the  Exhibition 


Page  Thirteon 


SCREEN  NO.  39.— 

TRAVEL. 

I’rint 

No, 

193. 

Dunstein  (Monte  Cristallo), 

194. 

Broadstairs  Sands, 

195. 

On  the  \>randa,  - - - 

196. 

Lucerne  Fishers,  - - - 

197. 

Ramsgate  Smack, 

■ SCREEN  NO.  40.— 

TRAVEL. 

198. 

Lake  Maggiore,  _ - - 

199. 

The  Heirloom,  _ _ _ 

200. 

German  Peasants, 

201. 

Normandy,  - - - - 

SCREEN  NO.  41.— FLOWERS 

AND  LANDSCAPES. 

{Colored  With  Vclox  Transparent  Water  Colors.) 

202. 

Chrysanthemums,  - - - 

P.  H.  Kavanagh. 

203. 

Hydrangea,  - - - - 

204. 

Hepatica,  _ _ _ _ 

George  Kellogg. 

205. 

The  Butterfly,  _ _ _ 

Isabelle  M.  Swett. 

206. 

Catalpa,  _ _ _ . 

George  Kellogg. 

207. 

Trillium,  _ _ _ _ 

George  Kellogg. 

208. 

An  Informal  Hedge, 

George  Kellogg. 

209. 

The  Catch,  - - 

210. 

New  Zealand  Cliffs,  - 

J Valter  Burke. 

Page  Fourteen 


Book  of  the  Exhibition 


SCREEN  NO.  42.— FLOWERS 

AND  LANDSCAPES. 

{Colored  With  Vclox  Transparent  Water  Colors.) 

Print 

No. 

211. 

Victoria  Park  (Niag.  Falls), 

J.M.  Griffin.M.  D. 

212. 

New  Jersey  Tea,  - 

George  Kellogg. 

213. 

Ox  Eye  Daisies,  - - - 

Dr.  Albert  R.  Benedict 

214. 

Goldenrod,  - - _ - 

Rudolf  liichenieyer. 

215. 

Daisies  and  Buttercups, 

C.  H.  Tingley. 

216. 

Meadowbrook,  _ - _ 

Donald  C.  Fitts. 

217. 

Lilacs,  - - - - - 

E.  H or  nor. 

SCREEN  NO.  43.— 

TRAVEL. 

218. 

At  Base  of  Mt.  Popocateptl 

(Mexico),  - - - - 

Sumner  W.  Mattes  on. 

219. 

Filling  the  Water  Jar 

(Mexico),  - - - - 

Sunuier  W.  Mattes  on. 

220. 

Driving  Sheep  (Mexico),  - 

Sumner  W.  Mattes  on. 

221. 

Hall  of  Monoliths,  (Oaxaca, 

Mexico),  - - - - 

Sumner  W.  Mattes  on. 

222. 

Mexican  Beggar,  - 

B.  F.  Langland. 

SCREEN  NO.  44.— 

TRAVEL. 

223. 

A Fuel  Train  (Mexico), 

224. 

Native  Americans, 

Frederiek  I.  M onsen, 

F.  R.  G.  S. 

225. 

An  Italian  Monk,  - - - 

H.  B.  Niehols. 

226. 

Mountain  Village  (Northern 

Italy),  - _ - - 

M.  Mott  Smith. 

Book  of  the  BxhibitioB 


Page  Fifteen 


SCREEN  NO.  45.— THE  HORSE  BREAKER. 

From 

a Scries  of  Broiouic  Pictures  by  A.  E.  Jones,  Australia. 

Print 

Xo. 

227. 

Which  Way  Next, 

228. 

A Sun  Fisher,  - _ _ 

229. 

Man  Is  Master,  - - - 

230. 

A Mean  One, 

231. 

Desperation,  - - - - 

232. 

Will  He  Stick, 

SCREEN  NO.  46.— FRONTIER. 

233. 

Off  for  the  “Roundup,” 

Erwin  E.  Sniitli. 

(Copyrighted  1908  by  Erwin  E.  Smith) 

234. 

A Break  from  the  Ranks,  - 

Erwin  E.  Smith. 

(Copyrighted  1908  by  Erwin  E.  Smith) 

235. 

A Letter  from  Home,  - 

Envin  E.  S)nitli. 

(Copyrighted  1908  by  Erwin  E.  Smith) 

236. 

In  Sight  of  the  Herd,  - 

Erwin  E.  Smith. 

(Copyrighted  1908  by  Erwin  E.  Smith) 

237. 

A Sweeter  Draught  Was 
Never  Quaffed,  - - - 

(Copyrighted  1908  by  Erwin  E.  Smith) 

Erwin  E.  Smith. 

SCREEN  NO.  47.— COUNTRY  LIFE. 

238. 

Haying  Time,  - 

IF.  L.  CAfford. 

239. 

“Mary  Had  a Little  Lamb,” 

240. 

Contentment,  _ _ _ 

E.  A.  Speer. 

241. 

Autumn  in  the  Berkshires, 

Rudolf  Eickemeyer. 

242. 

A Moment’s  Rest, 

T.  L.  Edelcn. 

SCREEN  NO.  48.— COUNTRY  LIFE. 

243. 

The  Westering  Sun,  - 

IF.  T.Knox. 

244. 

The  Ox  Team,  _ - - 

245. 

The  Old  Homestead,  - 

A.  F.  France. 

246. 

The  Squire,  _ - _ 

IF.  B.  Cline. 

Book  of  the  EhcblbHioB 


Page  Sixteen 


SCREEN  NO.  49.— COUNTRY  LIFE. 

I’liiit 

\o 

247. 

The  Sand  Lot,  - - - 

248. 

Quarry  Road,  _ _ . 

Carle  SeuioH. 

249. 

Harvest,  - 

Grace  E.  Mounts. 

250. 

At  the  Barn  Pump, 

Carle  Seuion. 

251. 

Home  From  Town, 

IF.  T.  Knox. 

252. 

On  a Chicken  Farm,  - 

Rudolf  Eickemeyer. 

SCREEN  NO.  50.— COUNTRY  LIFE. 

253. 

Poverty,  _ _ _ _ 

Rudolf  Eickemeyer. 

254. 

Highland  Cattle,  - 

255. 

The  Farm  House, 

256. 

Plowing,  - 

Edzvard  C.  Crossett. 

257. 

Haying  in  Nova  Scotia, 

Rudolf  Eickemeyer. 

258. 

A Highland  Steer, 

M rs.  R.  Dun  das  Orr. 

SCREEN  NO.  51.— AFRICAN  WILDS. 

259. 

Kikoya  Girls  Grinding  Corn 

(Africa),  - - 

Carl  E.  Akeley. 

260. 

Bull  Elephant  (Uganda, 

Africa),  - - - - 

Carl  E.  Akeley. 

261. 

Wild  Elephant  (Uganda 

Africa),  - - - - 

Carl  E.  Akeley. 

(Copyrighted  1909  by  Carl  E.  Akeley) 

262. 

Bull  Elephant  (Mt.  Kenia, 

Africa),  - - - - 

Carl  E.  Akeley. 

Page  Sevente«n 


Book  of  tbo  Exhibit  ion 


SCREEN  NO.  52.— AFRICAN  WILDS. 

Print 

N(X 

263. 

Hippopotami  (Toner  River, 

Africa),  - 

Carl  E.  Akeley. 

264. 

Crocodiles  (Toner  River, 

Africa),  - - - _ 

Carl  E.  Akeley. 

265. 

Rhinoceros  (Toner  River, 

Africa),  - 

Carl  E.  Akeley. 

266. 

Young-  P)ull  Elephant 

(Uganda,  Africa),  - 

Carl  E.  Akeley. 

267. 

Leopard  (British  East 

Africa),  - - _ _ 

Carl  E.  Akeley. 

SCREEN  NO.  53.— ATHLETIC. 

(graflex.) 

268. 

The  Pass,  - - - - 

IE.  B.  Starr. 

■ 269. 

The  Tackle,  - - - - 

IV.  B.  Starr. 

270. 

Around  the  End,  - - - 

271. 

A Kick-Off,  - - - - 

IV.  B.  Starr. 

272. 

Kicking  a Goal,  - - - 

M r.  Stone. 

SCREEN  NO.  54.— ATHLETIC. 

(graflex.) 

273. 

The  First  Hurdle, 

IV.  A.  Staples. 

' 274. 

High  Jump,  - - - - 

H.  H.  Russell.  " 

275. 

A High  Vault,  - - - 

JV.  A.  Staples. 

276. 

Safely  Over,  - - - - 

Mrs.  C.  R.  Miller. 

SCREEN  NO.  55.— ATHLETIC. 

(graflex.) 

277. 

Hans  Wagner  Sliding  Home, 

F.  E.  Bingaman. 

278. 

Wagner  and  Cobb, 

F.  E.  Bingaman. 

279. 

Ty  Cobb  Stops  a High  One, 

E.  E.  Bingaman. 

Book  of  the  Exhibition 


Page  Eighteen 


SCREEN  NO.  56.— ATHLETIC. 

Print 

\n 

(C.RAFI.EX.) 

280. 

A Close  1^'inisli,  - - - 

281. 

The  Winner,  _ _ _ 

L.  V a ryes. 

282. 

The  I'inal  Dash,  - - - 

F.  /:.  Biugaman. 

283. 

Nearing  the  Goal,  - - - 

John  Duncan. 

SCREEN  NO.  57.— CHILDREN. 

284. 

“Say  Please,  h'ido,” 

285. 

The  “Tick  Took,” 

286. 

Home  Portrait,  - - - 

287. 

Home  Portrait,  - - - 

Miss  Haight. 

SCREEN  NO.  58.— AIRSHIPS 

AND  AEROPLANES. 

288. 

Airship  America  (I"rom  SS. 

Trent),  _ _ - - 

/.  A.  Dohnnan. 

289. 

Monoplane  Alighting,  - 

Earl  V.  Lewis. 

290. 

Aerial  Navigation, 

291. 

Biplane  in  I'light,  - - - 

Earl  V.  Lewis. 

SCREEN  NO.  59.— STREET  SCENES. 

292. 

The  I'ire,  _ - _ - 

Oscar  B.  Ireland. 

293. 

Just  Around  the  Corner, 

294. 

Pont  Alexandre  (Paris), 

Maximilian  To  eh. 

295. 

In  Battery  Park  (New  York), 

296. 

After  the  Rain,  _ _ - 

Dr.  D.  J.  Ruzicka. 

297. 

Promenade  (Central  Park, 

New  York),  - - - 

lldzeard  llcini. 

Page  Nineteen 


Book  of  the  Exhibition 


SCREEN  NO.  60.— STREET  SCENES. 


298. 

The  Toilers,  - - - - 

IF.  T.  Knox. 

2^)9. 

Plaza  at  Night,  - - - 

Dr.  Albert  R. 
Benedict. 

300. 

Between  Sales,  _ - - 

II  \ B.  Cline. 

301. 

A Windy  Crossing, 

302. 

Where  the  Pulse  of  Traffic 
Throbs,  - - _ _ 

303. 

A City  Byway,  _ _ _ 

B.  F.  Langland^ 

SCREEN  NO.  61. 

Ziegler  Polar  Expedition — Arctic  Exploration. 

304. 

Smooth  Going  Over  Channel 

Ice,  ----- 

(Copyrighted  1906  by  A.  Fiala) 

Anthony  Fiala. 

305. 

Waiting  for  the  Ice  to  Open, 
(Copyrighted  1906  by  A.  Fiala) 

Anthony  Fiala. 

306. 

Locked  in  the  Ice  Pack, 
(Copyrighted  1906  by  A.  Fiala) 

Anthony  Fiala. 

307. 

Fiala’s  Arctic  Home,  - 
(Copyrighted  1906  by  A.  Fiala) 

Anthony  Fiala. 

308. 

Northward  Over  Polar  Ice,  - 
(Copyrighted  1906  by  A.  Fiala) 

Anthony  Fiala. 

SCREEN  NO.  62. 

Yale  University — Peruvian* 

Expedition. 

309. 

Prof.  Bingham’s  Party  on 

Mt.  Coroi)una,  - - - 

(Copyrighted  1912  by  Yale  University) 

Prof.  Hiram  Bingham. 

310. 

Summit  of  Mt.  Coropuna 

(Peru),  - - - - 

(Copyrighted  1912  by  Yale  University) 

Prof.  Hiram  Bingham. 

311. 

Resting  (Ascent  of  Mt,  Cor- 

opuna, Peru),  - - - 

(Copyrighted  1912  by  Yale  University) 

Prof.  Hiram  Bingham. 

312. 

Mountain  Climbers, 

(Copyrighted  1912  by  Yale  University) 

Prof.  Hiram  Bingham. 

Rook  of  the  Exhibition 


Page  Twenty 


SCREEN  NO.  63.— SNOW 

SCENES. 

Print 

No 

313. 

Canadian  Rockies, 

Ilarhind  A.  Perkins. 

314. 

Boston  Common  in  Winter,  - 

J.  B.  JIozL’ard. 

315. 

Pemigewasset  Wilderness,  - 

L.  D.  Sherman. 

316. 

Frost-1)Ound,  _ _ _ 

Miss  Mary  R. 

]\’ aid  ran. 

317. 

In  Early  Winter,  - - - 

'N 

SCREEN  NO.  64.— SNOW 

SCENES. 

318. 

Dreary  December, 

Dr.  D.  J.  Riizicka. 

319. 

January  Landscape, 

Bred  IV.  Merrill. 

320. 

Haddon  Peak  Glacier 

(Canadian  Rockies), 

llarland  A.  Perkins. 

321. 

When  Tree  and  Bush  Are 

Sleeping,  - - - 

Chas.  Ji  \ Doiitt. 

322. 

March,  ----- 

11.  Krebs. 

323. 

Country  Road  in  Winter, 

324. 

Solitude,  ~ - 

325. 

A Stormy  Day,  - - _ 

Dr.  D.  J.  Riizicka. 

SCREEN  NO.  65.— SUNSETS. 

326. 

Sunset  on  the  Arno  (Italy), 

G.  F.  Morgan. 

327. 

Twilight  on  Conniston  Lake, 

E.  H.  M oore. 

328. 

\"ecchio  Bridge  (Florence), 

G.  F.  M organ.  • 

329. 

Evening  on  Lake  Geneva,  - 

G.  F.  Morgan. 

330. 

Pier  at  Asbury  Park,  - 

Chas.  W.  Dontt. 

331. 

O’er  the  Western  Sea,  - 

Geo.  F.  Gillette. 

Page  Twenty-on# 


Book  of  the  Exhibition 


PLAZA  AT  NIGHT 


DR.  ALBERT  R.  BENEDICT 


• V.  ' 


J’rint 

SCREEN  NO.  66.— SUNSETS. 

332. 

Sunset  on  Lake  Erie, 

Fred  W.  Merrill 

333. 

Evening, 

Louis  R.  Murray. 

334. 

Now  the  Day  is  O’er, 

H.  0.  Bodine. 

335. 

After  the  Storm,  - 

M.  W.  Buehler. 

33(). 

Lynn  Harbor,  . - 

IJ-m.  F.  Dawson. 

(Copyrighted  1912  by  Wm. 

F.  Dawson) 

337. 

At  Break  of  Day,  - 

C.  S.  Liiitweiler. 

'X 

SCREEN  NO. 

67.— CHILDREN. 

338. 

A Young  Naturalist, 

G.  B.  Affleck. 

339. 

School’s  Out, 

- 

340. 

Vacation  Time, 

W.  B.  Cline. 

341. 

Saturday  Afternoon, 

Edward  Maniorre. 

342. 

Pond  Lilies,  - 

Floy  Campbell. 

SCREEN  NO. 

68.— CHILDREN. 

343. 

Home  Portrait, 

Otto  Gruenberger. 

344. 

Bessie,  - - - 

Miss  Violet  Russell. 

345. 

The  Garden  Pump, 

- 

34(). 

Home  Portrait, 

- 

347. 

Home  Portrait, 

- 

SCREEN  NO. 

69.— CHILDREN. 

348. 

Sis  Hopkins, 

Walter  Hopkins. 

349. 

Portrait, 

- 

350. 

Portrait, 

- 

351. 

The  Picnic,  - 

W.  B.  Cline. 

352. 

Portrait, 

R.  L.  Chipman. 

Page  Twenty-two 


Book  of  the  BxhibitloB 


Print 

No. 

SCREEN  NO.  70.— CHILDREN. 

353. 

A Group  by  the  Wayside,  - 

Geo.  C.  Elmberger. 

354. 

Nurse,  ----- 

355. 

Portrait,  - - - _ 

356. 

Portrait,  - - - - 

Miss  Myra  Brandt. 

357. 

Portrait,  - - - - 

358. 

Portrait,  - _ - - 

359. 

Products  of  Colorado,  - 

Chas.  S.  Price. 

SCREEN  NO.  71.— MISCELLANEOUS. 

(PREMO.) 

360. 

The  Prospectors,  - - - 

361. 

Absence  Makes  the  Heart 

Grow  Fonder,  - - - 

IV.  B.  Cline. 

362. 

Going  to  Work  on  a Sky- 

scraper,  - 

IV.  B.  Cline. 

3()3. 

Autumn,  - _ - - 

JV.B.  Cline. 

364. 

Dropping  Down  Stream, 

IV.  B.  Cline. 

SCREEN  NO.  72.— MISCELLANEOUS. 

( PREMO.) 

365. 

The  Woodland  Road,  - 

C.  IV.  Shaw. 

366. 

Moonrise,  - _ _ - 

C.  IV.  Shazv. 

367. 

Goin’  Fishin’,  _ - - 

IV.  B.  Cline. 

SCREEN  NO.  73.— MISCELLANEOUS. 

( PREMO.) 

368. 

Portrait,  - _ - - 

J.  A.  Dohrnian. 

369. 

Up  the  Hill  Again, 

W.  B.  Cline. 

370. 

Home  Portrait,  - 

IV.  B.  Cline. 

371. 

Portrait,  - 

J.  A.  Do  hr  man. 

372. 

Portrait,  _ _ - - 

373. 

The  Country  Hotel, 

W.  B.  Cline. 

Book  of  the  Exhibition 


Page  Twenty-three 


Print 

SCREEN  NO.  74.— BOY  SCOUTS. 

374. 

On  the  Hike,  _ _ _ 

375. 

Boy  Scout  Cutting  Staff, 

376. 

On  Duty,  _ _ _ . 

377. 

Lighting  the  Cami)  Fire, 

SCREEN  NO.  75.— 

■TRAVEL. 

378. 

Italian  Boy,  - - - - 

379. 

Dawn  (\'enice),  - - - 

Maximilian  Toch. 

380. 

A1)Ove  High  Tide.  - - - 

JVm.  0.  Welch. 

. 381. 

Italian  Monk,  _ _ _ 

Miss  A.  Jennie  Wilds. 

SCREEN  NO.  76.- 

-TRAVEL. 

382. 

Across  the  Chamonix,  - 

Mas  tin  Simpson. 

383. 

In  Old  Madrid,  - 

384. 

Pack  Pony  (Corea),  - 

385.  • 

Sunrise  in  Venice, 

Maximilian  Toch. 

- 386. 

Old  Well  (Certose,  Italy),  - 

M iss  A.  Jennie  Wilds. 

SCREEN  NO.  77.— ARCHITECTURE. 

387. 

Colisseum  and  Arch  of  Con- 

stantine (Rome), 

//.  P.  Goppelt. 

388. 

Conway  Castle  (Wales), 

M iss  M.  11.  Dai'is. 

389. 

Flatiron  Building,  - - - 

SCREEN  NO.  78.— ARCHITECTURE. 

390. 

Doge’s  Palace,  _ _ _ 

391. 

Holden  Hall,  _ - _ 

1.  C.  Proud  fit. 

392. 

St.  Bartholomew’s  (London), 

Book  of  the  Exhibition 


Page  Twenty-four 


}’rint 

No. 

393. 

394. 

395. 

396. 


397. 

398. 

399. 

400. 


401. 

402. 

403. 

404. 

405. 


40f). 

407. 

408. 

409. 

410. 

411. 


SCREEN  NO.  79.— TRAVEL. 

Rolling  the  Grain  Field, 

Holj^well Ferry  (Huntington), 

The  Thorn,  - - - - 

Tyrolese  Shepherd, 


SCREEN  NO.  80.— TRAVEL. 

Mountain  Peak  and  Cloud, 

Just  at  Twilight,  - - - W.  1.  Lansing. 

The  Stream,  - _ - - Frank  C.  Price. 

Crystal  Lake  (California),  - J.  IV.  Towne. 


SCREEN  NO.  81.— TRANSPORTATION. 


A Summer  Squall, 

Cleveland  Harbor, 

Barge  Office  (Battery  Park, 
New  York),  - _ _ 

A Rough  Road,  - - - 

Landing  the  Catch, 


IV.  H.  Porterfield. 
E.  G.  fountain.. 


E.  G.  Fountain. 
W.  D.  Thom f son. 


SCREEN  NO.  82.— BY  LAND  AND  SEA. 


An  Old  Clipper,  - - - 

Chinese  Commerce, 

Down  in  Dixie,  _ - - 

Deep  Sea  Fishing, 

Crossing  San  Lorenzo  River, 
Back  From  the  Mill,  - 


C.  S.  Luitweiler. 

F.  L.  Edelen. 

W.  D.  Thom f son. 
Dr.  C.  George  Bull. 
F.  L.  Edelen. 


Page  Twenty-five 


Book  of  the  Exhibition 


I'rint 

No. 

SCREEN  NO.  83.— COMMERCE. 

412. 

Green  River  Steamer  (Xea 

r P.  liincrson 

Mammoth  Cave,  Ky.), 

Bach  elder. 

413. 

In  the  Harbor, 

B.  P.  La u gland. 

414. 

Fishing  Fleet  at  Home,  - 

IV.  L.  Gifford. 

415. 

A Dahabeeah, 

- 

416. 

Lumber  Schooners, 

- 

417. 

Commerce,  _ _ _ 

Geo.  C.  Plmhcrgcr. 

SCREEN  NO.  84.- 

-BATHING. 

418. 

Surf  Bathing, 

- 

419. 

The  Life  Rope, 

- 

420. 

Life  Guards, 

Plninia  .L  Parnszeorth. 

421. 

Brighton  Beach,  - 

- 

422. 

The  Diver,  - - - 

SCREEN  NO.  85. 

—TRAVEL. 

423. 

Under  Tropic  Skies, 

John  Parpal,  Jr. 

424. 

Eiffel  Tower, 

G.  P.  Morgan. 

425. 

Erian  (Savoy,  France), 

H.I\  Atwood. 

426. 

Casa  Grande  (Arizona), 

Prank  II.  Shoeniakcr. 

427. 

Bridge  of  Sighs  (Venice), 

G.  P.  Morgan. 

428. 

The  Cloister,  - - - 

IV  m.  P.  Dawson. 

(Copyrighted  1912  by  \Vm.  F.  Dawson) 

Book  of  the  Exhibition 


Page  Twenty-six 


ITlnt 

SCREEN  NO.  86.— 

.TRAVEL 

No. 

429. 

A Mountain  Lake, 

430. 

Anne  Hathaway’s  Cottage, 

(Shottery,  England), 

IP.  L.  Gifford.. 

431. 

Guy’s  Tower  (Warwick, 

England),  - - - - 

IV.  L.  Gifford. 

432. 

Maria  Della  Salute  (Venice), 

433. 

Repairing  Streets  in  Biarritz, 

Miss  Tempest. 

434. 

The  Matterhorn  (Switzer- 

Mrs.  J.  B.  ^ 

land),  - - - - 

Brickelmaier. 

SCREEN  NO.  87.— COUNTRY  LIFE. 

435. 

Along  the  St.  Lawrence, 

Rudolf  Eickemeyer. 

436. 

Patience,  _ _ . . 

' 437. 

New  England  Home,  - 

438. 

We  Cut  Hay  To-morrow, 

Earl  T.  Boaden. 

439. 

A Country  School  House,  - 

440. 

On  the  Way  to  Market, 

SCREEN  NO.  88.— HUNTING. 

441. 

A Natural  Blind,  - - - 

Theodore  Macklin. 

442. 

The  Deer  Hunter,  - - - 

L.  D.  Sherman. 

443. 

Time  to  Quit,  _ _ _ 

444. 

At  Point,  - _ - - 

445. 

Waiting,  _ _ _ _ 

Mrs.  C.  G.  Stearns. 

SCREEN  NO.  89.— CHILDREN. 

446. 

Fear  Not,  Sister,  - - - 

Dr.  D.  J .Ruzicka.’ 

447. 

Music  of  the  Sea,  - - - 

J.  S.  N ear y. 

448. 

The  Children’s  Outing,  - 

449. 

The  Pasture  Brook, 

450. 

At  Rockaway  Beach,  - 

Dr.  D.  J.  Ruzicka. 

Page  Twenty-seven 


Book  of  the  Exhibition 


THE  MORNING'S  CATCH 


Print 

No, 

SCREEN  NO.  90.— MISCELLANEOUS. 

451. 

Natural  Bridge  (Virginia),  - 

Loramis  C.  Newhall. 

452. 

October,  _ _ _ _ 

Rudolf  Eickemeyer. 

453. 

Binding  the  Sheaves, 

H.  B.  Conyers. 

454. 

Icicles,  ----- 

George  Kellogg. 

455. 

Viola,  ----- 

IF.  B.  Cline. 

456. 

In  the  White  Mountains, 

IV.  T.  Knox. 

SCREEN  NO.  91.— TROTTING  HORSES. 

(graflex.) 

457. 

Trailing,  - - - - 

A.  D.  H It g lies. 

458. 

Warming  Up — All  Four  Feet 

Off  the  Ground, 

A.  D.  II It g lies. 

459. 

A Friendly  Brush, 

John  Duncan. 

460. 

Black  Beauty,  _ - - 

A.  D.  Hughes. 

461. 

Good  Start,  - - - - 

John  Duncan. 

SCREEN  NO.  92.— OVER  THE  HURDLES. 

(graflex.) 

462. 

Unhorsed,  - - - - 

A.  A.  Gleason. 

463. 

Taking  a Header,  - - - 

A.  A.  Gleason. 

464. 

A Veteran,  - - - - 

465. 

Training  a Green  One,  - 

John  Duncan. 

466. 

A Bad  Fall.  - - - - 

A.  A.  Gleason. 

SCREEN  NO.  93.— MISCELLANEOUS. 

(graflex.) 

467. 

Light  Artillery,  - - - 

JF.  A.  Staples. 

468. 

Wrestlers,  - - - - 

F.  R.  Binganian. 

469. 

Fish  Hawk  Nest,  - - - 

Howard  Cleaves. 

(Copyrighted  1911  by  Howard  Cleaves) 

470. 

Winter  Sport,  - - - 

IF.  Barton  Eddison. 

471. 

McDonald  “Putting  the  Shot,” 

F.  E.  Binganian. 

472. 

Will  They  Bite,  - - - 

A.  E.  Bisanta. 

Page  Twenty-eight 


Book  of  the  Exhibition 


Print 

SCREEN  NO.  94.— AUTOMOBILES. 

473. 

The  Call  of  the  Road,  - 

474. 

At  Cooperstown,  - - - 

Mrs.  IV.  JV.  Dake. 

475. 

A Wayside  Hand-out,  - 

Clias.  S.  Price. 

476. 

Among  the  Hills,  - - - 

Mrs.  IV.  IV.  Dake. 

477. 

A Puncture — Five  Miles  Out, 

SCREEN  NO.  95.— WILD 

ANIMALS. 

478. 

Scenting  Danger,  - - - 

479. 

Black-tail  Deer  (Yellowstone 

National  Park), 

Sumner  IV.  Matteson. 

480. 

Luncheon  Time,  - - - 

E.  IV.  Parrill. 

481. 

Alpacas  and  Llamas  (Peru), 

Prof.  Hiram 

(Copyrighted  1912  by  Yale  University) 

Bingham. 

482. 

Surprised,  _ - _ . 

SCREEN  NO.  95. 

“There  Are  No  Game  Laws  for  Those  Who  Hunt  With 

a Kodak’’. 

483. 

Mountain  Sheep,  - - - 

484. 

Wild  Goats,  - - - - 

185. 

Moose,  ----- 

486. 

Swiss  Mountain  Sheep, 

Mastin  Simpson. 

487. 

Elk,  ----- 

Rudolf  PJckemcycr. 

488. 

Bob  Cat,  - - _ - 

U'm.  I.  Berryman. 

SCREEN  NO.  97.— FRONTIER. 

489. 

Pack  Train  (Mesa  \Yrde, 

Colorado),  _ - - 

Sumner  \ V.  Matteson. 

490. 

Colima  Fuego  (Mexico), 

Sumner  U\  Matteson. 

491. 

Water  Hole  in  the  Desert,  - 

Sumner  IV.  Matteson. 

492. 

Cattle  on  Range,  - - - 

493. 

Cutting  ’em  Out,  - - - 

Sumner  IV.  Matteson. 

Book  of  the  EThlbltlon 


Page  Twenty-nine 


SCREEN  NO.  98.— FRONTIER. 


Print 

No. 

494. 

San  Ygnacio  Mountains, 

C.  f.  Saunders. 

495. 

496. 

Monarclis  of  the  Plains, 
Caravan  on  the  March, 

Prof.  Hiram  Bingham 

497. 

(Copyrighted  1912  by  Yale  University) 
Prospecting,  - - - - 

C.  F.  Saunders. 

498. 

The  Prospector’s  Return, 

Clinton  Johnson. 

499. 

The  Drive,  - - - _ 

Lawrence  Macomher. 

SCREEN  NO.  99. 

500.  A Bit  of  Kodak  Park. 

501.  Where  the  Kodaks  Are  Made. 

502.  Hawk-Eye  Factory. 

503.  Kodak  Ltd.,  Executive  Offices  and  Warerooms,  Kings- 

way,  London. 

504.  Present  Main  Office  and  the  new  Office  Building  in 

Construction  at  Rochester. 


SCREEN  NO.  100. 

505.  The  366  Foot  Chimneys  at  Kodak  Park. 


Page  Thirty 


Book  of  the  Exhibition 


of  the  pictures  in  this  Exhibition 


(excepting  those  specified  as  having 
been  made  with  a Graflex  or  Premo*)  were 
made  with  Kodak  or  Brownie  cameras  on 
Eastman  N.  C.  Pdlms.  A portion  of  the 
Premo  and  Graflex  pictures  are  likewise  from 
film  negatives.  Practically  all  of  the  pictures 
are  from  negatives  made  by  amateurs,  for  the 
most  part  inexperienced  amateurs. 

All  of  the  pictures  are  enlargements  on 
Eastman  Bromide  Papers.  The  pictures  on 
screens  Nos.  41  and  42  are  colored  with  Velox 
Transparent  Water  Color  Stamps.  The 
slides  which  illustrate  the  lectures  given  in 
connection  with  this  exhibition  are  made  on 
Plastman  Lantern  Slide  plates  and  the  motion 
pictures  are  made  on  Eastman  Negative 
¥\\m  and  projected  from  prints  on  PAstman 
Positive  P"ilm. 


*Screens  No.  53,  54,  55,  56,  91,  92,  93, 
71,  72,  73.  99,  loo- 


riook  of  the  Exhibition 


Page  Thirty-one 


THE  KODAK  IDEA 


SIMPLICITY  is  the  key  note  of  the  Kodak  idea  in 
picture  making — not  merely  simplicity  in  the 
camera  itself,  but  likewise  simplicity  in  the  after 
processes. 

Back  in  1888,  the  Kodak,  crude  as  compared 
with  the  Kodaks  of  to-day,  first  made  amateur  pho- 
tography popular.  It  made  the  actual  taking  of 
the  picture  a simple  matter,  but  the  loading,  the 
unloading,  the  developing  and  tlie  printing  were  pro- 
cesses requiring  skill — and  a dark-room  ; hence  our 
famous  offer:  “You  press  the  button;  we  do  the 
rest.” 

To-day  the  dark-room  has  been  eliminated  from 
Kodak  photography.  Simplicity  is  not  confined  to 
the  picture  taking,  but  extends  as  well  to  the  picture 
making.  The  Kodak  loads  and  unloads  in  daylight; 
the  films  are  developed  in  any  light  in  the  Kodak 
Film  Tank  for  a certain  length  of  time,  in  solutions 
of  certain  strength  and  temperature — and  developed 
as  well  by  the  novice  who  will  follow  the  simple 
directions  as  they  can  be  developed  by  the  exj)ert. 
Skill  and  individual  judgment  in  developing  are 
not  necessary.  Indeed,  it  has  been  fully  demon- 
strated that  the  Tank  can  more  than  equal  the 


Pag*  Thirty-two 


Book  of  the  Exhibition 


work  of  the  most  expert  workmen  when  they  use  the 
old  dark-room  methods.  The  experience  is  in  the 
Tank. 

Likewise  Velox  paper  (still  no  use  for  a dark- 
room) offers  a simple  medium  for  print  making,  and 
may  be  had  in  a variety  of  grades  and  surfaces  to 
suit  all  tastes  and  all  negatives. 

In  our  work  of  simplifying  photography,  quality 
and  dependability  have  not  been  overlooked.  Kodak 
films,  for  instance,  ask  no  odds  of  glass  plates  in 
speed  or  quality.  In  the  true  rendering  of  color 
values  they  are  not  merely  highly  orthochromatic; 
they  are  properly  orthochromatic — are  practical. 
And  they  give  the  greatest  possible  latitude — that  is, 
they  of  themselves,  within  any  reasonable  limits, 
correct  errors  of  over  and  under  exposure,  a matter 
of  the  utmost  importance  to  the  beginner. 

Simplicity,  quality,  dependability,  upon  these 
the  Kodak  success  has  been  built.  These  qualities 
have  made  it  a simple  matter  for  everybody  to  take 
and  make  good  pictures. 

If  it  isn’t  an  Eastman,  it  isn’t  a Kodak. 

EASTMAN  KODAK  CO., 

Rochkstkk,  N.  Y. 


Book  of  the  Exhibition 


Page  Thirty-three 


“KODAK 


Is  our  registered  and  common- 
law  trade  mark  and  cannot 
be  riglitfully  applied  except 
to  goods  of  our  manufacture. 
When  a dealer  tries  to  sell 
you  a camera  or  films  or  other 
goods  not  of  our  manufacture 
under  the  Kodak  name,  you 
can  be  sure  that  he  has  an 
inferior  article  that  he  is  try- 
ing to  market  on  the  Kodak 
reputation. 


If  it  isn't  an  Eastman, 
it  is7i't  a Kodak 


